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Udugani vedukato priyudottina nakha shashi rekhalu Kaduminchina vidha memo kanugonare chelulu Padatiki chanugava merugulu pai pai payyeda velupala A simile of sowing and uprooting to having set sight and looking away from the Lord is one of the best similes, I have read. I like the way Annamayya describes the second premise in this stanza that the redness in her eyes is actually blood in her veins when she abruptly uproots her eyes from her Lord. Uprightly pulling them from roots, has smeared the blood, is it not? Gracefully, upon the Lord, having sown those corner looks, Of the beautiful woman's previous arrow/dart(indication), is it? Try to think (girl)friends! To the beautiful Chakora-Bird-like-eyed one, in the vicinity of the eyes, have become red it seems/appears. నిలువుగniluvuga=uprightly పెరుకగperukaga=to pull out from roots, నంటినantina= to stick - నెత్తురుnetthuru=blood కాదుకదాKadu kada(kadu+kada)= (not+is it) Is it not? చెలువవంబిప్పటిcheluvamaba+appati= a beautiful woman's+of that time చింతింపరేchintinpare=try to think చలులుchelulu= (girl)friends కలికిkaliki= beautiful చకోరాక్షికిchakorakshiki(chakora+akshi+ki)=(Bird Chakora+eyed+to)to the ChakoraBird eyed, కడkada=place/vicinity కన్నులుkannulu= eyes కెంపైkempai=become red/ruby తోచెనేthochene= has appeared/ seems like Nilovuna perukaga antina netturu kadukada ll Naluvuna praneshwarupai natina aa kona choopulu Kaliki chakorakshiki Kada Kannulu Kempai tochina There is a lot that we can read between the lines in this stanza, but Annamayya leaves it to the listener's discretion by his "isn't it?" question. The premise presented is that it must be an direct letter written by the Lady to her Lord.The "isn't it" after the line is the that the poet is making an assumption and wants to verify it.
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I believe that in this line, Annamayya is actually refering to the fragrance that smeared when the Lady wrote a letter to the Lord. Kasthuri is used with sandalwood and the other smears(thilakam) to give fragrance. Apparently, the first color of the powder is reddish brown that later changes to black.
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Kasthuri is musk, a fragrance used in perfumes. The first observation is that the tender lips are filled with the Kasthuri(musk), here and there. The first stanza has only two lines and an observation and one premise only unlike the next stanzas where two premises are presented. The lady, to her Lord, must have written a letter, isn't it? What force!On the tender lips, at places here & there, fragrance is filled!
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భామినిbhamini= the lady విభునకుvibhunaku=to the Lord రాసినrasina= written పత్రికpatrika=letter కాదుkadu=not కదాkada=is it not? ఏee= which ముకోmuko= to exert strain చిగురుటchiguruta= tender/delicate అధరమునadharamuna=on the lips - ఎడeda=spot/place నెడ=that place కస్తూరిkasthuri=musk, (red color?) నిండెనుnindenu= filled in ఏముకో చిగురుటధరమున - ఎడనెడ కస్తూ రి నిండెనుĮmuko chiguruTa daramuna -edaneda kasthuri nindenuīhamini vibhunaku rasina patrika kadu kada I'm surprised!Ī good rendition of this song by Lakshmi Narayan Chintapalli (without the third stanza) can be found here. Most renditions of this song seem to not have the third stanza at all. He ends each stanza with "isn't it?", indicating that he is just assuming things (and not sure) and also leaving it open ended for the other friends to give in their thoughts too! The friend(Annamayya) notices/observes various things about the Lady and the first premise made, is ended with urging the other girlfriends to think/deduce/imagine the cause of such observation.The second premise he makes is given with greater details and explanation about the situation which the Lady must have gone through. Each stanza has, first, an observation,secondly, a first premise and then finally, a second premise with contextual explanations.In this song, the point of view is that of the (girl)friends of the Lady and conversation with the other girl friends on the appearance of the Lady, mostly without the Lady hearing this conversation. So the Lady of this poem could be either of his two wives, Lakshmi/Padmavathi or Bhoodevi. As usual, it is in the last stanza we know that the Lord is Thiru Venkata's Lord. An interesting thing is that Annamayya does not mention who the Lady of this song is. This is a romantic piece(shrungara rasa) by Annamayya that is an example of his poetic skills in describing the Lady's state of appearance after a copulation encounter with her husband,Lord Venkatapathi.The subtleties in describing the theme and also the format in which he brings it out is commendably noteworthy.